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Brussels

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Facades, doors and stained glass of Brussels Art Nouveau, to be seen from the street.

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  1. Mahogany shopfront of the former Niguet shirt shop, with large wooden arches in front of the windows.

    Ancienne chemiserie Niguet

    “Maison fondée en 1835” (“House founded in 1835”): the Niguet shirt shop wanted its customers to read it in its decor. Yet in 1896 its owner ordered the newest shopfront on the street. He turned to Paul Hankar, one of the first Art Nouveau architects in Brussels.

    Bruxelles · 1896
    Paul Hankar
  2. Façade of the Hôtel van Eetvelde: an exposed metal frame, set to the rhythm of large windows.

    Hôtel van Eetvelde

    For nearly a century, the large desk of Edmond van Eetvelde was missing from the room it had been made for. Old photographs showed exactly where it stood, among the woodwork designed by Victor Horta. In 2025, the piece came back, lent by a Dutch collector.

    Open to visitors
    Bruxelles · 1895
    Victor Horta
  3. Narrow façade of the Maison Saint-Cyr, where ironwork balconies and loggias stack up over four levels.

    Maison Saint-Cyr

    Four meters wide, barely. On Square Ambiorix, the Maison Saint-Cyr occupies a plot that a cautious architect might have found discouraging. Gustave Strauven turned it into one of the boldest façades in Brussels: a stack of balconies, loggias and ironwork that seems to want to gain in height what the lot denies it in width.

    Bruxelles · 1900
    Gustave Strauven
  4. Façade of the Maison Cauchie, covered in golden sgraffiti around a large round window.

    Maison Cauchie

    “PAR NOUS / POUR NOUS” (“by us / for us”). The motto is written on the façade, and it tells the truth: Paul and Lina Cauchie designed, decorated, and lived in this house. In 1905, the couple were not just looking for a roof. They wanted to show their work to a city that might become their clientele.

    Open to visitors
    Etterbeek · 1905
    Paul Cauchie ; Lina Cauchie
  5. Art Nouveau façade of the Maison Sterner: round door, tall window bay and a studio jutting out under the roof.

    Maison Sterner

    A master glassmaker needs light above all. Clas Grüner Sterner had set up his studio at the very top of the house, behind a wide three-sided window that juts out over the street to catch the daylight. His name stayed with the building, which did not owe its birth to him, however.

    Ixelles · 1893
    Ernest Delune
  6. Hall of the Maison Hannon: round mosaic floor, the foot of a staircase with a white wrought-iron banister, a foliage fresco and stained-glass doors.

    Maison Hannon

    Jules Brunfaut designed only one Art Nouveau house. He drew it for a childhood friend, Édouard Hannon, an engineer at Solvay, who loved the style and asked him for it.

    Open to visitors
    Saint-Gilles · 1902
    Jules Brunfaut
  7. Stone façade of the Hôtel Tassel between its neighbors, with its central bow window.

    Hôtel Tassel

    Émile Tassel taught descriptive geometry at the university, lived with his grandmother, loved entertaining friends and carried on his research at home. In 1893, he asked Victor Horta for a house that could hold all these lives at once, on a narrow, deep plot. The architect’s answer would change the way a house is drawn.

    Occasional visits
    Ixelles · 1893
    Victor Horta
  8. Façade of the house at 92 rue Africaine, in light brick, with a rounded bow window.

    Maison de Lestre

    At Rue Africaine 92, one detail can easily escape a passerby: a signature carved almost at ground level, “de Lestré / Archte” (“de Lestré / Architect”). The architect Benjamin de Lestré de Fabribeckers left his name where people rarely look. His façade deserves the same attention to quiet things. From a distance it seems restrained; up close, it reveals a meticulous design.

    Saint-Gilles · 1904
    Benjamin de Lestré de Fabribeckers
  9. Golden sgraffito above the door: two owls frame the name of the house.

    Maison Les Hiboux

    Two owls of blue limestone watch over the avenue from the top of the façade. Lower down, above the door, two more frame the name of the house, traced in a golden sgraffito. They are still at their posts. Behind them, the house of 1899 no longer exists.

    Saint-Gilles · 1899
    Édouard Pelseneer

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